Welcome to Phoebe Tonkin Web, your best and largest source for the incredibly talented Australian actress, model, writer, director, and producer, Phoebe Tonkin. Phoebe is best known for her work as Cleo Sertori on the children's fantasy series, H2O: Just Add Water and as Hayley Marshall on the CW's The Originals. Phoebe's latest television project, Boy Swallows Universe, premiered on Netflix to critical acclaim. Her work on BSU led to her eventual casting in the upcoming Aussie crime series The Dark Lake. Our site aims to bring you the latest news on Phoebe and her career along with providing a comprehensive gallery of her work and appearances. We hope you enjoy the site and come back soon! b

Into The Gloss: The Top Shelf / Phoebe Tonkin, Actress

I started filming The Vampire Diaries at the end of the last year, knowing that my role as Hayley would carry into a spinoff series called The Originals, which comes out this month. I play a werewolf girl who’s pregnant with a vampire’s baby! I had a wicked night of debauchery with a vampire on an episode of The Vampire Diaries, and, in The Originals’s pilot episode, we find out that we weren’t very safe. So, I’m pregnant with a hybrid baby on the show. [Laughs] It’s called The Originals because it’s about the original family of vampires. I think people will really like it.

I’m from Sydney, Australia, but I’ve been living in Atlanta, where we’re filming, for about a year. The Vampire Diaries also films in Atlanta, so it’s fun—we all live within two blocks of each other. It’s like a college town.

For filming, we walk a fine line between looking like real people and looking camera-ready. I wear more makeup on the show as just a random werewolf girl than I would in real life. It takes a full hour-and-a-half in the makeup chair every day to complete the look. They start with a Clarins Beauty Flash Balm as a heavy primer, and then they mix three different foundations together to get the best tint. We do crazy camera tests to make sure that it’s enough coverage and that the color is right. They might try another blush or bronzer, depending on how much the lights wash us out. The makeup artists have to do a lot of contouring on our faces and we wear false eyelashes—not to mention the amount of fake blood we have to wear, or the oil they put on our faces to make it look like we are sweating.

When it comes to my own makeup, I like to look fresh, clean, and well-rested—nothing too crazy. My mother really introduced me to beauty. She’s obsessed with all of the magazines’ ‘best of’ lists, like the ones in Allure, Glamour, and InStyle. Her beauty cabinet looks like one of those annual lists. She got me into finding staples, and as much as I love going to Neiman Marcus to just play around, generally, when I find something that I like, I stick with it for years.

I use Kora Organics Tinted Day Cream as foundation on my days off. For concealer, Tom Ford Traceless Foundation Stick in Natural 5is a staple. I don’t use very much, I’ll just kind of rub it in with my fingers to even out my skin or cover up spots. For blush, I like Chanel Soleil Tan de Chanel Moisturizing Bronzing Powder on my cheeks because it’s subtle, so I don’t look too made up. And to highlight, I dab RMS Living Luminizer on my eyelids or my cheekbones; it’s really pretty. I buy my makeup in bulk and keep the back-ups in different places so I’m never without it. If it’s not broken, why fix it?

I’ve also used the Shu Uemura Eyelash Curler and Chanel Inimitable mascara in Noir for years. My mom introduced me to them. Just one swipe of the mascara brushes my lashes out, making them look like they’re naturally really long and dark. It doesn’t clump or flake. Even if I forget to take it off at night, it’s not the biggest deal in the world. And, I don’t put anything in my eyebrows. I hate having unruly eyebrows, so I get them threaded for $8 at a place in Atlanta, or, when I’m in LA, at the thread bar on Melrose.

For lip balm, I rotate between Sugar Tinted Lip Treatment in Passion and Nivea Lip Care in A Kiss of Cherry. They’re both very similar. I even get to wear them on set now because everyone knows I like them. I’m also in love with Fresh’s Sugar Lip Polish, which keeps your lips soft if you use it once in a while.

Occasionally, if I’m going to dinner I’ll put on a red lip—either Chanel Rouge Allure Velvet #40, which is more of a wine-red, or Chanel Rouge Allure Pirate #99 , a blue-red. I just dab it on like a tint, rather than doing a heavy application. I use my fingers to dab it on my cheeks, too. I keep it all in a makeup bag I bought from Muji at JFK Airport. It’s incredible.

I used to have pretty bad skin. I started filming when I was 15, right around the time that my skin started becoming a problem. It was awful because I had to put makeup on over my pimples every day for three years. Then I found a really good dermatologist in LA, who prescribed Obagiproducts. They’re not right for everyone, but the line has completely changed my skin; it’s heaven-sent. I’m ritualistic about using it morning and night. Even if I get home late, I take off my makeup with either Bioderma Créaline or Estée Lauder Gentle Eye Makeup Remover—they’re both gentle—then I put on every Obagi layer: the Toner, the Moisturizer, and Obagi Nu Derm #3 Clear Skin Balancing and Correcting Creamthat you put on overnight. The Balancing Cream is the real magic. It’s really strong, so I just put on a light layer, but I don’t get pimples when I use it. If I’m not careful, after three days my skin will just go back to being problematic.

Also, at night, I like to go to sleep with the Kora Organics Hydrating Day and Night Cream covering my face. My dad found the line for me, and now my beauty cabinet at home is Tiffany-blue because there’s so much Kora in it. [Laughs]

My hair is also a process for work. I show up to set with wet hair and when they’re finished, I have barrel curls down to here with clip-in extensions. I’m in the process of growing my hair out, because I cut it all off over the summer. I’d just finished filming and knew I would have six months to grow it back before we shot The Originals pilot. I just woke up one morning and said to my hairdresser ‘I think I need a change.’ I kind of had a breakup, and I just wanted something fresh.

In terms of products, the best conditioner I’ve found—and I’ve tried again every hair conditioner and mask—is Wen’s Cleansing Conditioner. My hair is quite dry, and without Wen, it would be frizzy and oily. I used to use a million products to try to correct it—shampoo, conditioner, mask, and oils. But now I just use Wen. I leave the conditioner on for 10 minutes three or four times a week. It’s so good that it’s become the sort of thing I send to my friends for their birthdays. Like, ‘I know this is a weird gift, but it’s going to change your life. Happy Birthday.’ [Laughs]

Three or four times a week, I put on the Wen hair mask or a mask made of olive oil and lemon, and draw a bath with a full box of Epsom salts and about a cup of coconut oil—that’s a good DIY trick. I just dip my hands in and scoop the coconut oil out of the jar with my hands. It melts in the bath, and then when you get out, it’s all over your body. You rinse the hair mask out at the end and go to bed with an oily body. I love going to bed oily—the oilier the better. I keep coconut oil in the kitchen, next to my tub, and in my room.

I’ve always worn perfume. Diptyque L’Ombre dans l’Eau is my favorite scent. It’s so beautiful that I have it in a candle and as a perfume. The perfume isn’t exactly the same as the candle, but it’s similar enough. I like to change my perfume about once a year, so when I smell certain perfumes, it makes me think of the time I wore it. It’s funny. It might remind me of an ex-boyfriend or a place that I was living. L’Ombre dans L’Eau is going to remind me of living in Atlanta and coming to New York every chance I get.

In terms of nails, I always stick with baby pink— OPI Bubble Bath. I can’t have a crazy red polish and then go to work on the show. We have nail approvals that go through so many people, so I just keep it simple.”

—as told to ITG

Published September 2013

Boy Swallows Universe
Set in the violent working-class suburban fringe of Brisbane in 1983, the series follows Eli Bell, an articulate 12-year-old boy, and his mute brother Gus.
The Dark Lake
Gemma confronts past secrets when investigating murder of high school nemesis in tight-knit hometown. Law enforcement anchors her sense of right and wrong, attempting to redeem compromised choices.
Kid Snow
Washed-up Irish boxer Kid Snow is finally given a chance to redeem himself when he is offered a rematch against the man he fought a decade prior. When Kid Snow meets single mother Sunny, he is forced to contemplate a future beyond boxing.
Night Shift
While working her first night shift at a remote motel, a woman begins to suspect that the property is haunted.