Welcome to Phoebe Tonkin Web, your best and largest source for the incredibly talented Australian actress, model, writer, director, and producer, Phoebe Tonkin. Phoebe is best known for her work as Cleo Sertori on the children's fantasy series, H2O: Just Add Water and as Hayley Marshall on the CW's The Originals. Phoebe's latest television project, Boy Swallows Universe, premiered on Netflix to critical acclaim. Her work on BSU led to her eventual casting in the upcoming Aussie crime series The Dark Lake. Our site aims to bring you the latest news on Phoebe and her career along with providing a comprehensive gallery of her work and appearances. We hope you enjoy the site and come back soon!

Phoebe to Appear in Season 4 of ‘The Affair’

15 December '17 - Sarah

Cole’s personal journey in the fourth season of The Affair will put him the path of two very familiar-looking artists.

Phoebe Tonkin (The Originals) and Amy Irving (Alias) will guest-star in an episode of the Showtime drama’s upcoming season, TVLine has learned exclusively. Irving will play Nan Perino, a sculptress from Morro Bay, Calif., with a “mysterious” connection to Cole’s father. Tonkin will play Daphne, Nan’s protégé, who “guides” Cole through his quest for answers.

In addition to The Originals, which returns for its final season in 2018, Tonkin’s small-screen resume also includes roles on The Vampire Diaries and The Secret Circle. Irving, who has been nominated for both an Academy Award and a Golden Globe, recently starred in ABC’s short-lived Zero Hour.

Unlike The Affair‘s first three seasons, which explored the complicated connections between its core characters — Noah (Dominic West), Alison (Ruth Wilson), Helen (Maura Tierney) and Cole (Joshua Jackson) — the fourth season separates those individuals, sending them on their own journeys of self-discovery. Per the network, “every character is involved in a new relationship, forcing them each to decide if they’re ready and willing to leave the past behind for good [in] a season about new beginnings, tragic ends and the ever-elusive possibility of forgiveness.”

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